Only Smiles
Restless — Keeperinstrumental · 4:02
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Only Smiles Studios

Recording studioArcata, CAEst. 2026

Real amps. Real cabinets. A pedal pile with two Big Muffs in it. And a clean DI on every take, so you can change your guitar tone after you’ve already played the perfect part.

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The whole point

Track it once. Reamp it forever.

Every guitar take gets captured two ways at the same time: through a real amp and cabinet, and as a clean DI. The performance is locked in. The tone isn’t.

01 / play

Play it loud

You play through a real amp into a real cab, close-miked with an SM57 + MD421. Tube amp too loud for the room? The Two Notes Captor X records it at sane volume.

02 / split

Keep it clean

At the exact same moment, the Radial JDI grabs a clean, un-amped DI of that performance. Same take, zero tone committed.

03 / reamp

Change your mind

Later, the Radial X-Amp sends that DI back out through any amp, cabinet, pedal chain, the Helix Stadium or a Nano Cortex capture.

Your take doesn’t have to marry one guitar tone.

(seriously, this is the whole point)

Stack layers with genuinely different guitars, pickups, amps, speakers and effects, not five copies of the same modeled tone.

Turn it up

Dial in your genre

Twist the knob, drag it, tap a number or use your arrow keys. Every setting shows the rig this room actually uses for that sound.

    GAIN
    03 / 09

    Indie / Alt Rock

    The rig

      Indie Rock→Emo→Shoegaze→Alt Rock→Grunge→Punk→Pop Punk→Post-Hardcore→Modern Rock→Metal

      Chosen for contrast, not redundancy

      The arsenal

      • 12Guitars
      • 3Basses
      • 8Amps
      • 18Pedals
      • 6Mics
      • 3DAWs

      Humbuckers, single coils, offsets, a super-Strat, a baritone, a Bass VI and a vintage Martin. The EverTune Les Paul and Strat stay dead in tune across stacked rhythm layers, which is a very big deal for emo and pop punk.

      • 1977Martin M-38 acousticThe dedicated acoustic: a mature vintage voice for singer-songwriter, folk-leaning and layered acoustic parts.
      • 2023Gibson Les Paul TributeHoneyburst.EverTuneHumbuckers
      • Fender American Performer Stratocaster HSSEverTuneHSS
      • Fender American Performer JazzmasterOffset textures for indie, alt and shoegaze.Offset
      • Jackson American Series VirtuosoPrecise modern rock and high-gain work.Super-Strat
      • 1997Fender CycloneOffset, alternative-rock textures.Offset
      • Squier Cabronita Baritone TelecasterLow tunings, ambient parts, post-punk.Baritone
      • 2024Squier Bass VILives between guitar and bass. Shoegaze and post-punk’s secret weapon.Bass VI
      • 2017Epiphone Lee Malia RDHumbuckers
      • PRS CE24 Eriza VerdeHumbuckers
      • Ibanez RG, signed by CHONSignedSuper-Strat
      • 2008Fender Starcaster HSSHSS

      Eight amps, picked for contrast rather than redundancy, and any of them can be paired with any cabinet.

      • Orange AD30

        Thick British breakup, compression and harmonically rich rock tones.

      • Sovtek / EHX MIG-50

        Big, raw, aggressive tube platform. Punk, grunge, heavy rock and pedal-driven sounds.

      • Vox AC30CCH

        Chime and edge-of-breakup for indie, alternative and layered clean-to-crunch parts.

      • Fender Hot Rod DeVille

        A large American-style clean platform that loves pedals.

      • Roland JC-120

        1978 · Extremely clean solid-state and classic stereo chorus. Dream pop, shoegaze, post-punk heaven.

      • Peavey 6505 2x12 USA

        Dedicated modern high gain for post-hardcore, metal and heavy alternative.

      • Yamaha G100

        Another distinctive solid-state platform with its own voice.

      • Vox Cambridge Reverb

        Vintage Thomas Organ V1032 1x10 · Small-speaker vintage character for garage, indie and lo-fi.

      Overdrive, distortion, fuzz, compression, EQ, modulation, delay, reverb, looping, noise control and a few genuinely weird textures. The LEDs light up when the music’s on.

      • Jekyll & HydeVisual Sound · 1997 original
      • BD-2W Blues DriverBoss
      • SD-1 Super OverDriveBoss
      • PackRatProCo
      • Harmonic Percolator-style driveEHX
      • Shields BlenderFender
      • Big Muff #1Electro-Harmonix
      • Big Muff #2Because one wasn’t enough
      • Box of RockZVEX
      • RV-3Boss
      • JuliaWalrus Audio
      • RE-202 Space EchoBoss
      • BigSkyStrymon
      • GE-7 EqualizerBoss
      • The WardenEarthQuaker Devices
      • G8 Noise GateRevv
      • Ditto LooperTC Electronic
      • MEL9EHX

      Traditional and modern bass options, so no single instrument has to cover every session.

      • G&L Custom Shop ASAT BassThe main bass: powerful, flexible and way more tonal range than a traditional passive bass.Main
      • 2021Fender Player Precision BassThat simple, familiar midrange that sits naturally in dense rock mixes.
      • 2024Squier Bass VILow melodic lines, doubled bass parts, ambient textures and unusual arrangement layers.

      Any amp into any cab. The speaker choice becomes part of the tone instead of every amp being one fixed sound.

      • Marshall vertical 2x12Loaded with UK Celestion Creambacks.Creambacks
      • EVH 5150III 2x12Modern
      • Bogner 212CH HeliosModern
      • Combo amp speakersThe built-in speakers of the combos, for when that’s the sound.

      Record a real amp and a clean DI at the same time, then reamp later through another amp, cab, pedal chain, modeler or capture.

      • Line 6 Helix StadiumA complete modern modeling environment, including captured/proxy versions of the studio’s own amps.
      • Neural DSP Nano CortexAmp captures.
      • Two Notes Torpedo Captor XLoad box: record tube amps at controlled volume, no mic required.
      • Radial JDIThe clean DI on every take.DI
      • Radial X-AmpSends the DI back out to amps and pedals.Reamp
      • Radial Tonebone JX-2 Pro
      • BBE 482i Sonic Maximizer

      A proven cab-miking pair, a real condenser and dynamics for loud, aggressive vocals.

      • Shure SM7BControlled dynamic vocals, great for rock, punk, alternative and screaming.
      • Sony C-80 condenserVocals, acoustic guitar and detailed sources.
      • Shure SM57Half of the classic guitar-cab pair.
      • Sennheiser MD421The other half. Loud sources welcome.
      • ×2Shure SM58Vocals, utility, scratch tracks and live-style sessions.

      Physical monitors plus Slate VSX give you multiple ways to judge a mix, and three DAWs means we can work however you already work.

      • Universal Audio Apollo Twin DuoInterface
      • Avantone Gauss 7Studio monitors.
      • Slate VSXHeadphone monitoring system.
      • Mac mini M624 GB RAM.
      • Pro ToolsDAW
      • Logic ProDAW
      • ReaperDAW

      Can’t decide? Let the star decide.

      Spin the rig

      Stomp the switch for a random guitar, amp, cab and pedal. Tap any reel to nudge it yourself.

      spin
      This rig says

      Shoegaze

      Book this rig

      12 guitars × 8 amps × 4 cab options × 17 different pedals = 6,528 rigs before anybody even opens the Helix.

      Studio advantage

      It’s not the pile of gear. It’s how many genuinely different ways there are to record.

      Vintage

      A 1977 Martin, analog pedals, tube amps, real cabinets and real microphones.

      Modern

      EverTune instruments, direct recording, reamping, amp captures, IRs and full Helix modeling.

      Hybrid

      Both at once: a real amp on the take, a DI in your back pocket and captures for the layers.

      Booking · rates · questions · gear nerd-outs

      Book a session

      Send your demos, tell us what you’re after, and whether you want to book by the hour or hand over the whole project. We’ll get back to you about tones, timelines and rates.

      Or email the studio directly

      bennet@onlysmilesstudios.com

      Only Smiles Studios · Arcata, California · Humboldt County

      Session sheetOnly Smiles · Arcata
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