Play it loud
You play through a real amp into a real cab, close-miked with an SM57 + MD421. Tube amp too loud for the room? The Two Notes Captor X records it at sane volume.
Only Smiles Studios
now playing: “Restless” — Keeper (instrumental)
or skip all this & email the studioRecording studioArcata, CAEst. 2026
Real amps. Real cabinets. A pedal pile with two Big Muffs in it. And a clean DI on every take, so you can change your guitar tone after you’ve already played the perfect part.
The whole point
Every guitar take gets captured two ways at the same time: through a real amp and cabinet, and as a clean DI. The performance is locked in. The tone isn’t.
You play through a real amp into a real cab, close-miked with an SM57 + MD421. Tube amp too loud for the room? The Two Notes Captor X records it at sane volume.
At the exact same moment, the Radial JDI grabs a clean, un-amped DI of that performance. Same take, zero tone committed.
Later, the Radial X-Amp sends that DI back out through any amp, cabinet, pedal chain, the Helix Stadium or a Nano Cortex capture.
Your take doesn’t have to marry one guitar tone.
(seriously, this is the whole point)Stack layers with genuinely different guitars, pickups, amps, speakers and effects, not five copies of the same modeled tone.
Turn it up
Twist the knob, drag it, tap a number or use your arrow keys. Every setting shows the rig this room actually uses for that sound.
The rig
Indie Rock→Emo→Shoegaze→Alt Rock→Grunge→Punk→Pop Punk→Post-Hardcore→Modern Rock→Metal
Chosen for contrast, not redundancy
Humbuckers, single coils, offsets, a super-Strat, a baritone, a Bass VI and a vintage Martin. The EverTune Les Paul and Strat stay dead in tune across stacked rhythm layers, which is a very big deal for emo and pop punk.
Eight amps, picked for contrast rather than redundancy, and any of them can be paired with any cabinet.
Thick British breakup, compression and harmonically rich rock tones.
Big, raw, aggressive tube platform. Punk, grunge, heavy rock and pedal-driven sounds.
Chime and edge-of-breakup for indie, alternative and layered clean-to-crunch parts.
A large American-style clean platform that loves pedals.
1978 · Extremely clean solid-state and classic stereo chorus. Dream pop, shoegaze, post-punk heaven.
Dedicated modern high gain for post-hardcore, metal and heavy alternative.
Another distinctive solid-state platform with its own voice.
Vintage Thomas Organ V1032 1x10 · Small-speaker vintage character for garage, indie and lo-fi.
Overdrive, distortion, fuzz, compression, EQ, modulation, delay, reverb, looping, noise control and a few genuinely weird textures. The LEDs light up when the music’s on.
Traditional and modern bass options, so no single instrument has to cover every session.
Any amp into any cab. The speaker choice becomes part of the tone instead of every amp being one fixed sound.
Record a real amp and a clean DI at the same time, then reamp later through another amp, cab, pedal chain, modeler or capture.
A proven cab-miking pair, a real condenser and dynamics for loud, aggressive vocals.
Physical monitors plus Slate VSX give you multiple ways to judge a mix, and three DAWs means we can work however you already work.
Can’t decide? Let the star decide.
Stomp the switch for a random guitar, amp, cab and pedal. Tap any reel to nudge it yourself.
12 guitars × 8 amps × 4 cab options × 17 different pedals = 6,528 rigs before anybody even opens the Helix.
Studio advantage
A 1977 Martin, analog pedals, tube amps, real cabinets and real microphones.
EverTune instruments, direct recording, reamping, amp captures, IRs and full Helix modeling.
Both at once: a real amp on the take, a DI in your back pocket and captures for the layers.
Booking · rates · questions · gear nerd-outs
Send your demos, tell us what you’re after, and whether you want to book by the hour or hand over the whole project. We’ll get back to you about tones, timelines and rates.
Or email the studio directly
bennet@onlysmilesstudios.comOnly Smiles Studios · Arcata, California · Humboldt County